Art Criticism ▍More than itself: A Review of Lai Chih-Sheng’s Solo Exhibition “Clearing”Apart from a few subtle traces, Taiwanese artist Lai Chih-Sheng’s recent solo exhibition “Clearing” at TheCube Project Space candidly…Nov 3Nov 3
Art Criticism ▍With Whom I am More in Love: on Fuyuhiko Takata’s “Cut Suits” at Art Basel, Hong…Japanese artist Fuyuhiko Takata (b.1987) and his video installation piece, “Cut Suits” (2023), garnered widespread attention during this…Sep 25Sep 25
展覽評論 ▍我更愛誰——評高田冬彦《Cut Suits》日裔藝術家高田冬彦(Fuyuhiko Takata)的錄像裝置作品《Cut Suits》在今年(2024)的香港巴塞爾藝術展(Art…Sep 25Sep 25
文化研究 ▍關於邊界:當代藝術視野中的難民形象(本文發表於2023 CJD Online Conference “People in Motion: Bridging Borders and Building Futures”,並收錄於衝突、正義、解殖:亞際社會批判研究計劃 網站)Apr 1Apr 1
展覽評論 ▍消逝吧,但要回來:《櫃子裡的華夫格》范喬斯個展評論近期在Node94展出的范喬斯個展《櫃子裡的華夫格》(2023),藝術家以「織品-文字-攝影」多種媒介的表面交織,晶瑩、輕巧地打造出一個明淨潔白的白盒子空間;整個展場以均勻的間接光照亮,即便位於沒有開窗的地下室,它的空間呈現仍然成功塑造出一種開放、平坦的體感經驗,同時作品在明亮的…Nov 16, 2023Nov 16, 2023